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THIS SPACE REMAINS IN CONSTANT FLUX. I ATTEMPT TO SKETCH A MAP OF THE MOST SIGNIFICANT ACTIONS AND DIRECTIONS I HAVE FOLLOWED. A SPACE WHERE WORKS ARE ORGANIZED INTO CYCLES AND THEMATIC PROJECTS. INSTEAD OF CHRONOLOGY, THE ORGANIZING PRINCIPLE IS FORMED BY RECURRING MOTIFS, TECHNIQUES, AND MATERIALS. THE STRUCTURES PRESENTED HERE HAVE DEVELOPED OVER YEARS AND REAPPEAR IN DIFFERENT CONTEXTS, EVOLVING AND ACQUIRING NEW MEANINGS. IMAGES, FORMS, AND THEMES INTERTWINE, SHIFT, AND MERGE INTO MULTILAYERED NARRATIVES. THE CYCLES ARE OPEN IN FORM, SOME REMAIN ACTIVE, OTHERS HAVE REACHED A SENSE OF CLOSURE. THOUGH OFTEN DISPERSED, THEY ARE CONNECTED BY INTERNAL LOGIC AND SHARED TENSIONS. THEY REFLECT WAYS OF EXPLORING CONCEPTS, CONSTRUCTING MEANING, AND RETURNING TO PERSISTENT THEMES. THIS IS NOT MERELY DOCUMENTATION; IT IS ALSO A TOOL FOR TRACING THE DEVELOPMENT OF FORM AND THOUGHT OVER TIME. A RECORD OF PROCESS, NOT JUST ITS OUTCOMES.